Thullatha manamum thullum…….

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Seetha Kalyana by Maharajapuram Santhanam

Seetha Kalyana by Maharajapuram Santhanam

A Lovely rendition by the Great Maharajapuram Santhanam. Listen to this by closing your eyes and he will take you to the trance. Jai Shri Ram.

Seetha Kalyana by Maharajapuram Santhanam - YouTube

Song: Seetha Kalyana Vaibogame
Singer: Maharajapuram Santhanam
Composer: Saint Thyagarajar
Album: Thyagaraja Kritis
Raagam: Shankarabharanam

Lyrics:

ப. ஸீதா கல்யாண வைபோ4க3மே
ராம கல்யாண வைபோ4க3மே

ச1. பவனஜ ஸ்துதி பாத்ர பாவன சரித்ர
ரவி ஸோம வர நேத்ர ரமணீய கா3த்ர (ஸீதா)

ச2. ப4க்த ஜன பரிபால ப4ரித ஸ1ர ஜால
பு4க்தி முக்தித3 லீல பூ4-தே3வ பால (ஸீதா)

ச3. பாம(ரா)ஸுர பீ4ம பரிபூர்ண காம
ஸ்1யாம ஜக3(த3)பி4ராம ஸாகேத தா4ம (ஸீதா)

ச4. ஸர்வ லோ(கா)தா4ர ஸம(ரை)க வீர
க3ர்வ மானவ தூ3ர கன(கா)க3 தீ4ர (ஸீதா)

ச5. நிக3(மா)க3ம விஹார நிருபம ஸ1ரீர
நக3 த4(ரா)க4 விதா3ர நத லோ(கா)தா4ர (ஸீதா)

ச6. பரமேஸ1 நுத கீ3த ப4வ ஜலதி4 போத
தரணி குல ஸஞ்ஜாத த்யாக3ராஜ நுத (ஸீதா)
 
பட்டணம்தான் போகலாமடி Pattanamthan pogalamadi

பட்டணம்தான் போகலாமடி Pattanamthan pogalamadi

எங்க வீட்டு மகாலட்சுமி திரைப்படத்தில் உடுமலை நாராயணகவி எழுதிய புகழ்பெற்ற இப்பாடலால் கிராமமும் விவசாயியும் தேய்வதை தடுக்க முடியவில்லையே

https://www.youtube.com/watch?v=LqxOa_6RAYs
 
Dear Prof. M S K Sir,

Google search gave me this detail:

swarmandalBIMFA.jpg


''Swarmandal accompaniment for singers -

Swarmandal origins are very old. It's original name in our shastras is the "Achal Veena" meaning a stringed instrument that

has no moving notes. In ancient times, one of the functions for this instrument was to be used as a tuner. All 22 shrutis could

be tuned on a 22 note swarmandal and then the correct swaras could be selected for each raga. Fascinating story that makes

sense. Today, this instrument has found home with classical singers that will strum it like a harp and also selective pick the

notes they are singing. Bade Gulam Ali Khan sahib was probably the most famous singer to regularly use this instrument. I

would use it for my riyaz and it really gave me some good ideas. For instance, if you are on sa and your hand wonders off to a

dha, the voice quickly can maneuver to Dha as the note of the swarmandal rings out. Unlike the ease of action in a harmonium

where you can actually play the melody you are singing, a swar mandal is best used for helping one align their voice to the

note being sung. In conclusion, I personally own all three the Tanpura, the harmonium and the swarmandal. I would

recommend all to you if you want to take on the task of learning to sing. They all have their pluses and minuses but in the end,

you will benefit from them all. Good luck to you and happy practicing...

Yours musically,
Shiv Dayal Batish ''

Source: North Indian Raga Vocal Singing
 
Dear RR Madam,

Thank you very much for the links http://www.tamilbrahmins.com/music-dance/6883-thullatha-manamum-thullum-156.html#post239952 and http://www.tamilbrahmins.com/music-dance/6883-thullatha-manamum-thullum-157.html#post239954 explaining the difference between Swarmandal and Surbahar. From where I was sitting I thought the singer was keeping a big IPad (for looking for lyrics and moving the pages) :) I have to go near the stage to take a closer look at it! (I concluded then that instrument might have played the role of a Tampura!)
 
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Mix - Thiruppambaram Brothers-USA Concert

Mix - Thiruppambaram Brothers-USA Concert

Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony),rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses"). Indian classical music is one of the oldest musical traditions in the world. I will give any of these two Carnatic, Classical, Western, Hindustani , Instrumental for You all . which will make you all in relaxed mood & Enjoy it in your free time .

Thiruppambaram Brothers-USA Concert - YouTube
 
SriRamaCharithaGeetham I

SriRamaCharithaGeetham I


Sri Rama Charitha Geetham a composition of the Tamil musical of Ramayana by Shri Papanasam Sivan. It was set to music by esteemed composer Shri S.V. Venkataraman and sung by Isaimani, Kalaimamani, Padmashri Dr. Sirkali Govindarajan.

SriRamaCharithaGeetham I - YouTube
 
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