S
sapthajihva
Guest
This is an article which I came across and thought of sharing it here, albeit old. Comparing them with Jews may not be accurate, though the comparison, I think, is only on the latent skill-set and probably, hinting at the angle of direct oppression in modern times.
Click here to read the article.
Some excerpts:
Regards,
Click here to read the article.
Some excerpts:
...With the anti-Brahmin movement dictating the terms, the urban Brahmins began to eschew ethnic markers that revealed their identity. They gave up the kudumi (tuft), began to sport moustaches like non-Brahmins, changed the manner in which they spoke Tamil, changed their attire, some even began to eat meat… they did everything so that they are not identified as Brahmins in the public sphere. These were all modes of defence, strategies for survival.
...Brahmin-bashing is not confined to politics. It is a pastime of the cultural and literary worlds as well. Even the Tamil film industry merely caricatures the Brahmin. It is a totally non-brahminised public sphere that Tamil cinema depicts. It is very difficult for a Brahmin to get a foothold in the film industry today—as an actor, assistant director or lyric writer. Earlier, when Brahmins played a significant role in establishing the film industry, the world of cinema had a neutrality, but today an obviously non-Brahmin ethos permeates it.
...Even rituals have merely become social occasions. The marriage rituals are also much-abbreviated to reduce costs. Fortunately, the upanayanam (thread ceremony) still continues, but this is more an occasion to meet up with relatives. Sandhyavandanam should be done three times a day by a thread-wearing Brahmin. It is good thing to do. But who performs it? A Brahmin does sandhyavandanam only once in his lifetime and that is on the day the thread is bestowed on him. 50 years hence, perhaps even upanayanam would be given up.
Regards,